How Lil Wayne Can Make Tha Carter VI Hit Like Prime Weezy (Originally Written in April 2025 + Updated Post Release Commentary Now)

How Lil Wayne Can Make Tha Carter VI Hit Like Prime Weezy (Originally Written in April 2025 + Updated Post Release Commentary Now)

Lil Wayne had a chance to remind the world why he's the GOAT with Tha Carter VI. Instead, he ignored every move that could’ve made this a classic. Here’s the full blueprint I laid out before the drop—and how the album missed every step. This ain’t hate. This is truth.

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Team Ball is Back: Why I’m Loving the Pacers (and OKC) Finals Run

Team Ball is Back: Why I’m Loving the Pacers (and OKC) Finals Run

In an era obsessed with superteams, the Pacers and Thunder are reminding us what real basketball looks like—team ball, chemistry, and leadership. Tyrese Haliburton and SGA are setting the tone for the future of the league.

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Introducing the WLCM SUMMER CAMO Jacket – Black & Forest Camo Drop

Introducing the WLCM SUMMER CAMO Jacket – Black & Forest Camo Drop

The WLCM SUMMER CAMO jackets are here—Black & Forest Camo colorways, $68 each, water-resistant, lightweight, and logo’d front and back. Shop now while supplies last.

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THE 45-MINUTE RESET: Why My Haircuts Are Therapeutic (Even If I Don’t Vent)

THE 45-MINUTE RESET: Why My Haircuts Are Therapeutic (Even If I Don’t Vent)

For a lot of Black men, therapy doesn’t happen on a couch—it happens in a barber’s chair. I may not vent to my barber, but every cut feels like a reset. No stress, no overthinking—just precision, peace, and presence. And with a woman as my barber, that touch hits different. Here's why my 45-minute haircut is my quiet form of healing.

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A’ja Wilson’s Signature Sneaker Is the Most Important Release in Basketball Shoe History—Here’s Why

A’ja Wilson’s Signature Sneaker Is the Most Important Release in Basketball Shoe History—Here’s Why

A’ja Wilson finally has her own signature sneaker—and it’s about more than kicks. It’s about legacy, timing, and making sure Black women athletes get the shine (and the sales) they’ve earned. Here’s why the A’One is the most important basketball shoe ever released.

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Mental Image Training is Real: Here's Proof

Mental Image Training is Real: Here's Proof

Most people think real improvement only happens through physical practice. But mental image training — vividly imagining yourself succeeding — can build real skills too. I saw it firsthand when my imaginary basketball drills led to me draining shots like Steph Curry without touching a ball for weeks. Here’s how powerful the mind really is.

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QUAVIOUS AND DANIEL: WHAT THE HELLY?

In the world of art and hip-hop, collaborations and unexpected cultural crossovers are what make the landscape exciting. But when ego, legality, and a bit of high-horse energy get involved, we sometimes miss the bigger picture. That brings us to what I like to call: Quavious and Daniel — What the Helly?

Quavo, in front of Daniel’s work. Daniel don’t get mad because I posted this man lmao.

image via the fashion law

Let’s break it down. On March 31, Daniel Arsham — world-renowned artist known for eroded sculptures of classic cars, Pokémon busts, and architecture-inspired pieces — filed a copyright infringement suit against Quavo. The Migos member allegedly used Arsham’s 1961 Ferrari GT sculpture in a teaser video for his song "Trappa Rappa" without permission. The artist claims the sculpture was used without license or compensation, and while the video was eventually removed from some platforms, it remains active on others.

Now here's where it gets confusing — Arsham isn’t new to hip-hop. In fact, he’s embraced the culture many times. He sculpted Jay-Z's hands throwing up the Roc symbol for the Book of Hov exhibit, created a bust of Gunna for the DS4EVER album, and collaborated with Pharrell and Nas. This ain’t his first dance with the rap world. So the question becomes: why did this particular use by Quavo feel like such a violation to him?

Let’s keep it real: Quavo didn’t claim the sculpture was his. He wasn’t reselling it or repurposing it as merch. He stood in front of it. Rapped near it. Tagged the man. So what are we really mad at here? The fact that Quavo didn’t get a written license? Sure — that’s the technical foul. But the spirit of the interaction felt more like a tribute than theft.

As an artist and lawyer myself, let me tell you how I would've handled it. Quavo tags me? Uses my piece in a video? Boom — I reach out. I ask for credit in the video description, a profile link on socials, maybe even a short caption shoutout. I’d use the moment to drive traffic to my page. Then, I’d pitch a limited collaboration — imagine a Quavo bust in my sculpture style, followed by merch off the bust? That’s culture. That’s how you flip a moment into legacy.

Instead, we get legal filings, court headlines, and division. I know Daniel’s team would argue this is about protecting intellectual property — and legally, they’re within their rights. But this isn’t about legality alone. It’s about energy. It’s about how we treat each other in a creative ecosystem that already struggles with ego, access, and opportunity.

Daniel Arsham’s work, while masterful, also borrows. He’s flipped iconic visuals from pop culture with eroded textures — from Pokémon to vintage cars — and yes, I assume those were all licensed. But it still means he understands inspiration and reinterpretation. So why not extend that grace when someone else does it?

Quavo didn’t try to sell the sculpture. He didn’t repackage it. He rapped beside it. And if anything, it brought more eyeballs to Arsham’s world. We can debate copyright law all day, but what I care about is the spirit of the interaction. And this lawsuit? It feels like a missed opportunity.

What this moment needs is more brotherhood between artists of different mediums. Hip-hop and fine art don’t need to operate in separate universes. They should collide. They should overlap. They should build bridges, not court cases.

I say this not to tear anyone down, but to spark thought. I still support Daniel Arsham as an artist. His work is innovative and globally recognized. But I also support artists like Quavo who are continuously pushing visuals and sound into new territories. Let’s be more collaborative. Let’s be more generous. Let’s build.

This article is not legal advice. It is not an attack on Daniel Arsham. It’s just one artist’s opinion, reflecting on how this situation could’ve gone another, better way.

Let’s do better.

Follow me on twitter.com/onlyonejaevonn and visit gettothecorner.com for more thoughts, art, and culture.

Legal Disclaimer: This article is not legal advice. It is a personal commentary and is not intended to defame or harm the reputation of Daniel Arsham or any parties involved. All individuals mentioned should be supported in their creative endeavors.

When I Validated Myself

When I Validated Myself

March 25, 2025

When I was younger, every time I finished a drawing, I would rush to show my family. Their reactions were always over the top—full of excitement and praise. It felt good, like I had done something truly special.

But over time, their responses became more routine. Instead of the enthusiasm I was used to, I started hearing quick, casual responses: "Oh, nice." That was when it hit me—I needed to stop seeking reactions and just create for myself.

I think about those early days, drawing picture after picture, long before social media existed. There was no one to post them for, no audience to impress. I would finish a piece, look at it in awe, and simply add it to my personal collection. It was pure. I drew because I loved it, not because I was waiting for someone to tell me it was good.

Now, when I post and create, my only real question is: Do I think it’s dope? Because if I like it, someone else will too. And even if only one person connects with it, chances are, five others will, and so on. But that’s secondary. The real win is that I don’t need approval from anyone for what I do.

Self-validation freed me from the pressure of chasing approval. I wake up, thank God, ask Him to order my steps, and then I move—creating, expressing, living. No permission needed.

follow me on x.com/onlyonejaevonn

visit gettothecorner.com

The Case for Strategic Careers in the Family: Balancing Passion and Practicality

The Case for Strategic Careers in the Family: Balancing Passion and Practicality

March 6, 2025

Lawyer Harry making sure the fam is good, lol.

There’s a reason every successful family—especially in Black wealth-building—needs a lawyer, accountant, and doctor. These aren’t just career choices; they’re pillars of sustainability, protection, and generational progress. When families have these roles covered, they don’t have to rely on outsiders who may not have their best interests at heart. Instead, they can move as a unit, ensuring that knowledge, resources, and power stay within the family.

I’ve seen firsthand how this plays out. Just recently, I was able to help my cousin for free with a legal issue that could’ve otherwise cost thousands. If I weren’t a lawyer, he might have been forced to settle for whatever public defense or overpriced legal services he could afford. But because I pursued law—strategically, not just for personal gain but as a family asset—I was able to step in. That’s wealth in action, not just in terms of money but in access and security.

The Black Family’s Missing Infrastructure

Black families often struggle with wealth retention, not because of a lack of talent or ambition, but because of a lack of infrastructure. Wealth isn’t just about making money; it’s about keeping it, growing it, and passing it down. Without the right people in place, families lose money to bad contracts, poor investments, unnecessary medical bills, and legal pitfalls.

We’ve seen other communities master this formula. The lawyer ensures no one gets taken advantage of. The accountant ensures money is managed and grown properly. The doctor ensures health remains a priority, keeping the family functioning at full capacity. This setup isn’t a luxury—it’s a necessity.

Passion Still Matters, But So Does Strategy

Now, here’s the caveat: children shouldn’t be forced into careers they hate. That’s how you end up with resentful, underperforming professionals who never reach their full potential. Instead, families should observe their kids early, see what they naturally gravitate toward, and nudge them into paths that align with both passion and practicality.

For me, I always had artistic talent. If I blindly chased that with no strategy, I could have ended up a starving artist, struggling to make ends meet. But I followed my passion with logic and strategy, choosing law as a stable foundation that could fund and empower my creative pursuits. Now, I can create without the pressure of desperation. Success in law makes pursuing art easier, not harder.

A Family Plan for Career Success

The solution isn’t about strict enforcement; it’s about intentionality. Families should sit down and discuss, “Okay, who’s going to take on what? Who’s best suited for law, finance, or medicine? What’s a sustainable way for each child to contribute to the family’s strength?”

This isn’t about limiting options—it’s about expanding them in a structured way. When every member plays their part, the family moves like a corporation, each person contributing to a greater vision.

The ultimate goal? Self-sufficiency, longevity, and generational power. Because when you build a family where the money stays, the knowledge stays, and the resources stay—Black wealth stops being a dream and starts being a reality.

Follow me on x.com/onlyonejaevonn

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LEVELING UP COMES WITH ASSISTANCE

LEVELING UP COMES WITH ASSISTANCE

February 27, 2025


Every time I’ve leveled up in life, it came with some form of assistance—divine timing, the right person stepping in, or a door opening at the perfect moment. It’s never been just me grinding alone; the pieces always align when I’m ready for the next step.

WELÇOME's Breakthrough: The Domestic Plug

When I first started pushing WELÇOME heavy, my main goal was to secure a domestic distributor. At the time, I was paying too much with my international supplier, and unless I had big orders, I’d take a loss. I accepted that as part of the process—loss leaders are a natural part of business—but I knew I needed profit to keep things moving.

I wrote down the goal: Get a domestic distributor.

Then, as my sales grew, the opportunity literally presented itself, just as I had written. Since making that switch, WELÇOME has been booming, and my costs are down while my profits are up. That level-up wasn’t just about working hard; it came with the right connection at the right time.

My Deepest Discovery: An Album by JHarry, executive produced by DJ Mic Jack

My Deepest Discovery: A Necessary Assist

I’ve been working on My Deepest Discovery for two years. The project was basically done, but for some reason, I hadn’t pulled the trigger on releasing it. Something in me felt like I was missing a final piece.

Then, out of nowhere, my boy Jack hit me up:
"Bro, let me engineer your next tape."

I didn’t hesitate—bet. I had all the songs ready, so I sent them over. What Jack did with the mixes was something I simply couldn’t have done myself. I lack the technical skills he has, and his ear brought out a new level of depth in my music. That’s when it hit me: this is about to be a big project.

I’ve had moments like this before—"Long May He Reign" opened doors for me, and "Twerkin in the Rain" had a semi-viral moment. But this time, with Jack locked in and us working on a full project together for the first time since high school, I feel like something special is about to happen.

Why would this collaboration come together now, after all these years, if it wasn’t leading to something major?

So here it is: My Deepest Discovery drops 3.13.2025 on all streaming platforms.
Pre-orders coming soon. Let’s see where this level-up takes me.



Edit: this article was published after the release of my deepest discovery , so you can get the album now, head to the merchandise tab to purchase and its on streaming.

You Are Appreciated: The Rarity of a Clean Public Restroom

You Are Appreciated: The Rarity of a Clean Public Restroom

February 22, 2025

Public restrooms are one of life’s unavoidable experiences. Whether you’re at a gas station off the highway, a fast-food joint, or even a high-end shopping mall, you’ll eventually have to venture into the abyss. And let’s be real—most of them smell like open ass.

It’s almost as if there’s an unspoken agreement that public restrooms are meant to be disgusting. The scent of bodily functions lingers in the air like an unwanted guest, the floors are often sticky for reasons unknown, and there’s always that one stall with a toilet seat that looks like it barely survived an apocalypse. It’s a universal struggle.

That’s why, when I stumble upon a genuinely clean public restroom, I feel like I’ve hit the jackpot. The level of appreciation I have for a spotless, well-maintained, odor-free bathroom is beyond words. It’s like finding an oasis in the desert, a glimmer of hope in an otherwise grim reality. A restroom that smells neutral—or dare I say, pleasant—deserves its flowers. A place where the soap dispensers actually have soap, the paper towels aren’t empty, and the toilet seats don’t look like they should be condemned? That’s a place of honor.

What’s wild is that maintaining a clean restroom isn’t rocket science. Regular cleaning, functioning ventilation, and basic courtesy from the people using it could go a long way. And yet, here we are, bracing ourselves every time we push open a stall door, preparing for the worst.

So, to the businesses, restaurants, and public spaces that prioritize keeping their restrooms clean: You are appreciated. You may not hear it enough, but those of us who truly value hygiene salute you. May your floors remain dry, your air stay fresh, and your toilets always flush properly. The world needs more of you.

Follow Me on x.com/onlyonejaevonn

visit gettothecorner.com